Autumn is on its way and I am officially ready to begin transitioning my wardrobe.
There are many designer shows that influence me when I transition my wardrobe in between seasons, and for AW I am taking much inspiration from the 60’s edge at Gucci. Often I study shows during fashion week and I see pieces I like across the board, but it is only a few shows that will truly inspire me in their entirety, and Gucci was one of those this season.
This isn’t the first time that I am writing about the Gucci AW14-15 show, and the closer Autumn gets the more I find myself dreaming of all things Gucci…and how I can get the look at a more affordable price tag.
I find the whole 60’s vibe so endearing.
I desperately want to be a 60’s Gucci girl, with my A line leather mini skirts , knee high boots and fluffy [faux] shearling coats, and yes I want all of these in every colour.
I’m currently on the lookout for AW pieces that can give me that Gucci girl edge, so stay tuned for a ‘get the look’ Gucci post soon!
I don’t think there will ever be an Elie Saab collection that I won’t be entirely captivated by, whether it be Couture or Ready-to-Wear. Every single show is full of beautiful, intricate detailing, and it is refreshing to see that the designer focuses on what he does best every season, rather than being too trend focussed.
Their AW14/15 Couture show may be arguably everything you’d expect from Elie Saab, but it nevertheless impresses me every single time. The show was obviously full of fairytale inspired gowns that consisted of light, sheer materials, silk and tulle, the majority of which was beautifully encrusted with pearls and crystals and somewhat inspired by the mystery of the ocean (seen in the lace black gowns and pearl encrusted deep blue dresses) and even an enchanted forest (in one instance a moss green was offset against colourful crystals and pearls). Whilst keeping to his usual pretty, romantic roots the designer used a rainbow of colours in his tone-on-tone approach to his underlays and embellishments to create a soft, natural and feminine collection.
And of course, the latest show cannot be spoken about without the mention of the beautiful finale wedding gown, although so many of the white, silver and cream gowns displayed were enough for any bride-to-be- or any woman for that matter- to swoon over!
You can view the full pictures from the show here or watch it in full here !
We have seen many designers over fashion week change the direction of their brand’s usual aesthetic, but Ferretti has done this the best so far. The usual Ferretti collection would be romantic, light and airy, but at MFW yesterday the collection took a darker turn that led to a luxurious, almost couture, runway show. Inspired by an ‘animated forest’ the collection was full of rich textures, prints and colours to give an enchanting, ethereal feel. With simple and natural silhouettes, the collection’s many textures spoke volumes- we saw feather lined hems, fur lined collars and bark like textures that were created through the layering of felt, silk and chiffon across the whole collection, where even sandals were adorned with soft feathers. This, mixed with the luxurious hand painted prints, intricate embroidery, mossy green shades and dark metallic hues, gave us an inspirational collection that reaches to a wide audience. From fluffy green jumpers, gorgeous ethereal gowns and the clever vine like sandal straps that twisted around the ankles of models, Ferretti managed to outdo herself with this collection, thinking outside the box to create a wearable, but couture inspired, collection.
Frida Giannini, Creative Director of Gucci, has indicated a move away from the brand’s traditional black attire in their newest collection, saying that she wanted ‘a new palette and clean lines’ from their most recent AW14 collection.With a more optimistic, youthful edge, we can clearly see that this has been achieved in the sugary sweet pastel shades and shorter A-Line skirts and dresses that was showcased earlier on today in Milan. With soft pastel hues we saw fluffy shearling coats, double breasted trench coats and adorable, high-waisted A-line skirts in an array of metallic and matte pastel shades. Contrasted against this were darker, more autumnal, shades of olive green and deep red, as well as the obvious appearance of snakeskin, in youthful shades of yellow and blue, printed on both silk blouses as well as knee high, patent leather boots. Despite feminine colours, youthful prints and soft, luxurious textures, this collection aims to represent the modern Gucci woman, albeit with a 60’s edge.
As a contrast to their AW13 show, which saw lots of powder pink hues, Topshop Unique’s most recent show had a more tomboy edge. Opening the show came all blue looks, with smart woolen coats casually hanging off the shoulders of models for a disheveled, tomboy charm, which was only highlighted by the occasional appearance of sports inspired puffa jackets. Whilst a feminine element could be seen through the light, soft materials, pastel pink was no more in this new collection, but instead a new pastel colour emerged in the form of lemon yellow. This pretty, bright shade added a youthful, playful edge to the collection, with silky blouses and fluffy yellow furs, but when mixed with tan and darker shades of yellow the look made for a classic, but playful, approach to dressing. And, of course the show didn’t come without major trends that have been spotted throughout fashion week, including knee high boots (in grey and burgundy) as well as patchwork fur, that was seen in sweaters, coats and vests. I loved the femininity in their AW13 show, but this collection has been really clever in showcasing what their youthful, edgy customer wants- a chance to dress in a subtle, but sexy way, without losing their tomboy charm.
It seems a mix of traditional and modern prints was the inspiration behind Preen’s most recent show in London this week. We saw Moroccan tiles digitally printed onto coats, dresses and skirts in either bright orange hues or in charcoal grey, but the modern twist came in the form of Darth Vader being printed on top of these traditional Moroccan tiles. Despite how odd this sounds, it actually seems to make sense- we’ve seen sweatshirts with all kinds of motifs and logos, and Preen have obviously taken this concept a step further by printing a sci-fi inspired logo on light, airy materials.
As if Darth Vader didn’t give enough of an edge already, there was a mix of both feminine and masculine elements. Inspired by Annie Hall, there were tailored suits and faint pinstripes, giving an androgynous feel to the collection, but this was softened by the feminine shapes of the skirts, dresses and blouses. Despite the use of black and white in the more tailored parts of the collection, the star of the show has to be the use of fiery hues in creating bold cashmere coats, fluffy oversized sweatshirts, a gorgeous velvet dress and, of course, the Moroccan tile print. The great part about this whole collection is that it is so wearable- we could buy a lot of it now and wear it now- especially those fur trimmed, shiny khaki parka coats and black knee high boots (a huge trend across fashion week so far).
At his most recent show Ralph Lauren lived up to expectations with a beautiful, soft and ultra feminine collection that showcased pretty, romantic hues of creams, greys, pinks and lilacs. We’ve seen a lot of masculine silhouettes during NYFW, but not at Ralph Lauren, where shapes were kept simple, soft and classic for all occasions. For evening wear the collection gave a lovely sense of old Hollywood glamour (think soft furs mixed with silk and heavily embellished dresses) whilst the more casual side of the show gave us cosy knits, slouchy silk trousers and soft capes (most of which styled head to toe in one soft hue). It is also interesting the contrasting footwear that was on the runway-we saw converse style sneakers, pointed court shoes and thigh high grey suede boots, all showing how much versatility the brand still has whilst still remaining classic and feminine!
It is unlike Altuzarra to create such a vibrant, colourful collection, but during his show at NYFW yesterday the designer contrasted bright pops of cobalt blue, fuschia pink and orange against his usual, more classic shades, of black, grey, white and cream. The double faced cashmere coats were stand out pieces, with contrasting shades of navy and cobalt blue, as well as the brightly coloured patchwork fur coat, which added a whole new youthful edge to the, usually more formal, collection. Altuzarra usually gives us sophisticated, but sexy, runway looks, which is why it came as a refreshing surprise to see the soft fringe detailing that adorned many of his dresses, skirts and tops in various colourful combinations. As the designer’s most colourful collection to date, it is questionable why he hasn’t been more experimental until now, but it is for certain that his more colourful hues are bound to attract a more youthful customer.
Kate Spade never disappoints when it comes to creating bold, youthful collections, and their AW collection, which was showcased during the second day of NYFW, was of no exception. This time the story behind the collection comes from the creative director’s recent trips to both Shanghai and Tokyo, which is clearly demonstrated by the designer’s use of obi bows, silky pajama pants and, of course, that ‘Hello Tokyo’ clutch bag. In this collection, rich colours are reminiscent of the vibrant South East Asian culture, especially when they are mixed with lots of textures, quirky accessories (that Chinese take out handbag) and bold prints (think bright florals and leopard spots). As usual, the Kate Spade New York collection has provided everything it promises to it’s loyal fashion followers; its playful, its bold and brings a youthful glow to the otherwise dull AW months. And what does the creative director have to say about the more subdued colours in the collection? ‘Navy is the new black’ (for a more classy Kate Spade look) and ‘Pale pink is the new neutral’ (For a softer, feminine edge contrasted against those brilliant vibrant hues).