Autumn is on its way and I am officially ready to begin transitioning my wardrobe.
There are many designer shows that influence me when I transition my wardrobe in between seasons, and for AW I am taking much inspiration from the 60’s edge at Gucci. Often I study shows during fashion week and I see pieces I like across the board, but it is only a few shows that will truly inspire me in their entirety, and Gucci was one of those this season.
This isn’t the first time that I am writing about the Gucci AW14-15 show, and the closer Autumn gets the more I find myself dreaming of all things Gucci…and how I can get the look at a more affordable price tag.
I find the whole 60’s vibe so endearing.
I desperately want to be a 60’s Gucci girl, with my A line leather mini skirts , knee high boots and fluffy [faux] shearling coats, and yes I want all of these in every colour.
I’m currently on the lookout for AW pieces that can give me that Gucci girl edge, so stay tuned for a ‘get the look’ Gucci post soon!
I don’t think there will ever be an Elie Saab collection that I won’t be entirely captivated by, whether it be Couture or Ready-to-Wear. Every single show is full of beautiful, intricate detailing, and it is refreshing to see that the designer focuses on what he does best every season, rather than being too trend focussed.
Their AW14/15 Couture show may be arguably everything you’d expect from Elie Saab, but it nevertheless impresses me every single time. The show was obviously full of fairytale inspired gowns that consisted of light, sheer materials, silk and tulle, the majority of which was beautifully encrusted with pearls and crystals and somewhat inspired by the mystery of the ocean (seen in the lace black gowns and pearl encrusted deep blue dresses) and even an enchanted forest (in one instance a moss green was offset against colourful crystals and pearls). Whilst keeping to his usual pretty, romantic roots the designer used a rainbow of colours in his tone-on-tone approach to his underlays and embellishments to create a soft, natural and feminine collection.
And of course, the latest show cannot be spoken about without the mention of the beautiful finale wedding gown, although so many of the white, silver and cream gowns displayed were enough for any bride-to-be- or any woman for that matter- to swoon over!
You can view the full pictures from the show here or watch it in full here !
As the latest inspiration for the Met Gala I thought it would be appropriate to take a look at the designs of Charles James, the ‘First American Couturier’. Known for his somewhat hefty dresses (his heaviest dress was 18 pounds) that emphasised a women’s figure, the designer favoured the use of silk, organza and velvet and championed many newer styles, like the strapless dress, Pavlovian Waistband and the Figure Eight skirt, as well as inspiring the New Look that is most often associated with Christian Dior. The designer reworked all of his original designs and is most known for his ball gowns, quilted jackets and fur/embroidery trimmed capes and coats.
So,with all of this said it is pretty clear what kinds of designs we can expect the fashion elite to be wearing at tonight’s Gala- I’m thinking lots of Old Hollywood Glamour, from full skirts to figure hugging dresses!
Here’s a look at some of James’ designs:
After the Aw13 show from Burberry Prorsum, everybody was talking about, and lusting after, that heart print shirt. We saw numerous, more affordable, heart print blouses introduced across the high street in yummy berry shades, but as we come into Spring there is a new Burberry print in town- in the form of classic polka dots. This simple print shouldn’t be underestimated, though, as it looks great paired with another clashing print (think stripes and florals) or vibrant bold colours. The high street have already come out with some fresh, youthful versions of their own-you can always rely on trusty Topshop, who have lots of brightly coloured polka dot items to choose from!
From soft and feminine to military chic there were many different faces to H&M’s most recent catwalk show in Paris this week. The khaki green sweater dresses, knee high black boots and black patent bombers made for an edgier look, although this was occasionally softened somewhat through fluffy fur coats, pretty lace detailing and silky slip dresses. Elsewhere in the show we were shown long, soft, cashmere coats, in both navy and khaki, that were a refreshing step away from the sugary sweet pastel versions we’ve been seeing. Navy seemed like the new black for this show, giving us a classic look, but this didn’t take away from the youthful glow-it wasn’t long before we saw clashing animal print, sequins and pretty turquoise hues (not forgetting those amazing clashing orange/khaki colour combos).
H&M have managed to find a perfect balance through the use of simple shapes, rich colours and the mixing of different textures, for a tough, but feminine, approach to dressing.
We have seen many designers over fashion week change the direction of their brand’s usual aesthetic, but Ferretti has done this the best so far. The usual Ferretti collection would be romantic, light and airy, but at MFW yesterday the collection took a darker turn that led to a luxurious, almost couture, runway show. Inspired by an ‘animated forest’ the collection was full of rich textures, prints and colours to give an enchanting, ethereal feel. With simple and natural silhouettes, the collection’s many textures spoke volumes- we saw feather lined hems, fur lined collars and bark like textures that were created through the layering of felt, silk and chiffon across the whole collection, where even sandals were adorned with soft feathers. This, mixed with the luxurious hand painted prints, intricate embroidery, mossy green shades and dark metallic hues, gave us an inspirational collection that reaches to a wide audience. From fluffy green jumpers, gorgeous ethereal gowns and the clever vine like sandal straps that twisted around the ankles of models, Ferretti managed to outdo herself with this collection, thinking outside the box to create a wearable, but couture inspired, collection.
Frida Giannini, Creative Director of Gucci, has indicated a move away from the brand’s traditional black attire in their newest collection, saying that she wanted ‘a new palette and clean lines’ from their most recent AW14 collection.With a more optimistic, youthful edge, we can clearly see that this has been achieved in the sugary sweet pastel shades and shorter A-Line skirts and dresses that was showcased earlier on today in Milan. With soft pastel hues we saw fluffy shearling coats, double breasted trench coats and adorable, high-waisted A-line skirts in an array of metallic and matte pastel shades. Contrasted against this were darker, more autumnal, shades of olive green and deep red, as well as the obvious appearance of snakeskin, in youthful shades of yellow and blue, printed on both silk blouses as well as knee high, patent leather boots. Despite feminine colours, youthful prints and soft, luxurious textures, this collection aims to represent the modern Gucci woman, albeit with a 60’s edge.
As a contrast to their AW13 show, which saw lots of powder pink hues, Topshop Unique’s most recent show had a more tomboy edge. Opening the show came all blue looks, with smart woolen coats casually hanging off the shoulders of models for a disheveled, tomboy charm, which was only highlighted by the occasional appearance of sports inspired puffa jackets. Whilst a feminine element could be seen through the light, soft materials, pastel pink was no more in this new collection, but instead a new pastel colour emerged in the form of lemon yellow. This pretty, bright shade added a youthful, playful edge to the collection, with silky blouses and fluffy yellow furs, but when mixed with tan and darker shades of yellow the look made for a classic, but playful, approach to dressing. And, of course the show didn’t come without major trends that have been spotted throughout fashion week, including knee high boots (in grey and burgundy) as well as patchwork fur, that was seen in sweaters, coats and vests. I loved the femininity in their AW13 show, but this collection has been really clever in showcasing what their youthful, edgy customer wants- a chance to dress in a subtle, but sexy way, without losing their tomboy charm.