….we should look to Meryl Streep in the 70’s for AW wardrobe inspiration.
What do you think?
The 1st American Vogue-1892
“Celebrating the ceremonial side of life, which attracts the sage, as well as debutante, men of affairs as well as the belle.”
The 1st British Vogue-1916
“The time has come to talk of many things, -of shoes and furs and lingerie, and if one flares or clings, and where the waist-line ought to be, and whether hats have wings”
The 1st Paris Vogue-1920
An illustration by Helen Dryden of two ‘tennis women’- a celebration of the ‘sport of the moment’.
Obviously none of these pictures are my own (boo, I wasn’t lucky enough to attend) and all have come from various websites 🙂
Inspired by the illustrated pop up books of Benjamin Lacombe, the designers at Alice + Olivia created a collection that represented ‘elegance, fragility and melancholy’ that was appropriately presented against a gothic fairytale backdrop. Speaking of the collection the designer (Bendet) said that it had ‘dark, sexy ties’ to the Victorian era, and this was clear to see across the whole collection, if not with a modern twist.
Through rich textures and Victorian-esque prints, the collection represents a feminine, but powerful, woman. The collection puts a sexual spin on traditional Victorian dress-knee high leather boots, sheer lace, luxurious looking black embellished mini dresses and leather corsets- whilst the baroque prints keep to the Victorian inspiration from which the collection stems from. The most dramatic piece comes in the form of a gorgeous, floor length red baroque print coat, that again becomes luxuriously modern when mixed with blue denim.
This collection holds one of my favourite inspirations- who doesn’t love a dark, gothic fairytale? The red lips, black choker detail, the opulent Victorian prints and enchanting backdrop wins me over every time!
At Victoria’s Beckham’s most recent NYFW show we saw the designer had finally moved away from her signature dresses, instead showing a more masculine collection that is now being compared to the likes of Celine. Fluid lines are a sharp contrast to her previous ‘body-con’ structures, and whilst masculine shapes are present in the form of over-sized cashmere coats, tailored silk trousers and gold chain detailing, the designer softened her collection by adding dramatic ruffles on fitted chiffon blouses and delicate pleating on the backs of coats and the hemlines of both dresses and skirts. The monochromatic theme only added to the simplicity of the collection, although a rare abstract print (another surprise element from Victoria) and a few pops of red brightened the designs, somewhat.
Kate Spade never disappoints when it comes to creating bold, youthful collections, and their AW collection, which was showcased during the second day of NYFW, was of no exception. This time the story behind the collection comes from the creative director’s recent trips to both Shanghai and Tokyo, which is clearly demonstrated by the designer’s use of obi bows, silky pajama pants and, of course, that ‘Hello Tokyo’ clutch bag. In this collection, rich colours are reminiscent of the vibrant South East Asian culture, especially when they are mixed with lots of textures, quirky accessories (that Chinese take out handbag) and bold prints (think bright florals and leopard spots). As usual, the Kate Spade New York collection has provided everything it promises to it’s loyal fashion followers; its playful, its bold and brings a youthful glow to the otherwise dull AW months. And what does the creative director have to say about the more subdued colours in the collection? ‘Navy is the new black’ (for a more classy Kate Spade look) and ‘Pale pink is the new neutral’ (For a softer, feminine edge contrasted against those brilliant vibrant hues).
Known for his gorgeous red carpet gowns, Tadashi Shoji definitely didn’t disappoint during his New York show yesterday as he presented a whole host of beautiful, flattering dresses. It was a romantic affair, with pretty lace and light chiffon (not forgetting a few regal looking capes and Victorian-esque high collars), but what really stood out was the designers symbolic nod towards ‘intricate tile work’ that was especially represented in his gorgeous lace numbers. The collection was a beautiful mix of bold colour, fresh white, as well as softer hues, which embodied the feminine, romantic charm of his entire collection. Now we’ve just got to sit and wait for his dresses to hit the red carpet ..